Looking forward to the journey!
Planes, trains and automobiles…all can take us places. To these boys the power and majesty of a train is awe inspiring. I can almost hear their questions and dreams over the clickty clack of the track. “Where is the train going? How strong is it? How many cars is it pulling? Could I drive that thing? I’d love to travel the rails and be the engineer!”
Yesterday I talked about reflecting back in time, and coming into the present in prayer. Those reflections provide us the necessary torque to pull the burdens of our lives forward on the track God intended. Within those boundaries, we actually get freed to obtain the greatest rewards life can offer.
To us life is one linear motion, but to the maker of all things time has no linear boundaries. It is limitless, without boundaries, and makes sense all at once.
Just like the boys, that mystery makes me say, “Where is God’s train going? How strong is it? How many cars is he pulling? Would he let me drive that thing? I’d love to travel the rails and be his engineer on the way to the kingdom!”
PS Mr K5 working his magic…F5, 1/5000 @ ISO 1600 -3ev
Watches, Trinkets and More!
Took a walk through Scenic Roswell, Georgia today with my wife and stopped by a very interesting store called Bilthouse. It was very well designed, well from a photographers frame of mind. The light was fantastic in there as well…
One of the displays held watches and trinkets galore. So while my wife bought a gift for her parents (babysitting at home and giving us some date time), I just had to start photographing these little trinkets until I got one I liked!
Downtown Roswell is like this, lots of fancy little boutique stores. So over time don’t be surprised if you see some more captures downtown!
It is that time of year to enjoy the wonders of dance in my house!
My daughter’s dance company just put on their annual production, and it was quite nice. Since our family moved last year before her recital in Virginia, its been two years since I was able to see her really perform. One trick she learned this year from her teachers was to have confidence and smile while dancing. It really made her start to glow up on stage, and display the fun she has performing.
I learned a lot this year while shooting dance. After shooting several years at my daughter’s old studio I discovered the different challenges that come from choreography styles. In the old studio I could easily predict when a worthy frame was coming because I knew the style. They also used a smaller stage, so formations were tighter. Here the stage is larger, and the staff uses it. So it looks just as nice, but as a photographer I needed more zoom than I had to get the proper elements for a good frame. If you are going to shoot dance I will always recommend you attend a rehearsal or multiple shows before you have to get the captures you want to keep. This way you can know your subject, lighting and the choreographers style before the big dance. It just makes your subject and you look so much better in the end product.
That brings me to another point, lens choices for a concert or dance. I recently sold my 50-135 f2.8 zoom. On a crop it is a 75-203 zoom with a depth of field around 4-5.6. For this show it would be perfect. Since I had not replaced it yet, I was stuck with my excellent 60-250 F4, a 16-50 F2.8 and a set of primes. The F4 would not give me enough light to capture at the proper speed to blend motion and frozen faces I like. The 16-50 would not get me close enough this year. Some of my best photos in previous years came from my 50-135 and my 43…one was not there and the other would not get me close enough this year because of my location choice. So I shot with….a 100mm F2.8 macro! Great lens, but I was really out of my mind shooting dance with it.
A few more lessons to post this week…
Easter in motion!
Easter is not a static event. One must cover the sport as well as you do the church events!
Tracking motion is hard. I need more practice. The basics are to set the shutter speed lower than freezing the major motion. In this case I went down to 1/80 of a second.
You then have to track the subject, and capture the part you want to see in focus because it is moving inside that focus plane.
With the number of kids floating around here you’d think I’d be in better practice!